Sunday at the ballet with George, NYCB, January 22
January 22nd, 2012
Ocean’s Kingdom at NYCB
January 17th, 2012
Ocean’s Kingdom (2011), commissioned score by Paul McCartney; arranged by John Wilson and Paul McCartney and orchestrated by Andrew Cottee at The New York City Ballet. For more information,…
Filed under dance, Enjoying New York City, Navigating New York, New York City | Comment (0)All Wheeldon at NYCB
January 4th, 2012
Filed under dance, Enjoying New York City, Navigating New York, New York City | Comment (0)
December 13 – The Nutcracker at a theatre near you
December 12th, 2011
The New York City Ballet will broadcast a live production of The Nutcracker to theatres on December 13.
Filed under Children in New York City, dance, Enjoying New York City, Navigating New York, New York City, Nightlife, Special Offers, Theater | Comment (0)The Nutcracker at NYCB
December 5th, 2011
The New York City Ballet will perform the seasonal delight — The Nutcracker — November 25 through December 31.
Filed under Children in New York City, dance, Enjoying New York City, Great Sites about NYC, Music, Navigating New York, New York City | Comment (0)Cisne Negro at The Joyce August 15 – 20, 2011
August 12th, 2011
ODC Dance at The Joyce, August 9 – 13, 2011
August 8th, 2011
Pilobus at The Joyce, July 11 – August 6, 2011
July 12th, 2011
Pilobus at The Joyce, July 11 through August 6, 2011.
Filed under Art, dance, Enjoying New York City, Navigating New York | Comment (0)Midsummer Night Swing at Lincoln Center through July 16, 2011
July 7th, 2011
Armitage at The Joyce, April 26 through May 8
April 26th, 2011
Armitage Gone! Dance at The Joyce
April 26 through May 8
Karole Armitage and her stunning post-modern ballet company, Armitage Gone! Dance return to The Joyce for a two-week engagement, presenting two programs revealing her unique sensibility that at once embraces classical values and, as reflected in her Tony© nominated choreography for Hair, then knocks them askew. Program A is comprised of three works, Drastic-Classicism performed to Rhys Chatham’s clangorous score; the deeply-loved and lyrical Ligeti Essays; and a new collaborative work with the re-emerging Dance Theater of Harlem. Program B is devoted to the mesmerizing Three Theories, described as “brainy brilliance translate[d] into exquisite extensions of the dance vocabulary.”
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